When a movie sparks such intense discussion across India, we must acknowledge the brilliance of the writer and director who shaped it into a nationwide sensation. They chose a subject that resonates deeply with the people, anticipating the heated debates it would ignite—so much so that news channels are flooded with arguments for and against it. If this was a marketing strategy, they deserve full credit for its success.
But as a common woman, I must say—I loved Empuraan, just as I loved Lucifer. The first person to be appreciated is the writer, Murali Gopy, who has crafted a script that mirrors the current realities of Indian politics and the growing influence of drug cartels. The story may, knowingly or unknowingly, resemble real-life events, unsettling those who feel it strikes too close to home. However, just as bold and thought-provoking storytelling is necessary, so is its visual execution—making it gripping, immersive, and widely discussed. For that, director Prithviraj deserves immense praise for his international-standard filmmaking.He has done the best in bringing out each of the actors best performance.
The Gujarat riots were one of the darkest, most brutal events in Indian history. Any article on them is disturbing, but witnessing even a few minutes of it on screen is harrowing. If simply watching it is unsettling, imagine the horror of living through it.
A film like Empuraan incorporates violence, but only as much as necessary—to etch into our minds the terrors of history and force us to confront the uncertainties of the future. However, in recent times, many Malayalam films seem to focus excessively on darkness and brutality, making them difficult to watch with family. Amidst such trends, Empuraan stands apart. Yes, it contains violence, but it serves a purpose—to instill fear where needed while delivering a message that resonates. It does not glorify violence but uses it as a tool to evoke the right emotions and awareness.
Indian politics today is at a critical juncture. Every political party needs reform at every level. Corruption and unchecked power have turned democracy into a mere facade. Most parties have become indistinguishable from one another, their ideological lines blurring under the weight of financial greed.
Meanwhile, unemployment is rising. A significant portion of the youth, even the educated ones, struggle with low wages and economic instability. Drug abuse is surging, crime is increasing, and the very youth who should be shaping India’s future are being led astray. The fight against drug trafficking must go beyond surface-level interventions—it must strike at the root. We need leaders like Manju Warrier’s character, who sends shivers down our spines, or Mohanlal’s, someone powerful enough to make even the most corrupt tremble.
To me, Empuraan felt like a call to the Almighty—to save India, Kerala, and its youth from the grip of corrupt politics and the drug menace.
Movies are not just entertainment; they shape public consciousness. A film has the power to influence minds more effectively than books because visual storytelling reaches the masses more directly. Studies show that constant exposure to violence in media can lead to built-in aggression and anger issues. In today’s world, where screens and social media dominate our lives, especially for children, this is a growing concern. As much as movies can inspire, they can also shape dangerous narratives, and that responsibility lies with filmmakers.
Religion has often been used as a tool by those in power to instill fear, manipulate people, and shape societal divisions according to their needs—often for personal or political gain. The common masses, reduced to a flock of blind followers, sometimes abandon logic, humanity, and even patriotism in their unquestioning obedience.Just like beautifully said in the movie Guru of Mohanlal.
A true Islam,Hindu or a christian or whoever it maybe will not hurt another soul ,as thats the biggest sin.What some extremists does will never define any religion or its people.
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